Showing posts with label blue mary. Show all posts
Showing posts with label blue mary. Show all posts
Wednesday, May 13, 2026
Bookmark This Page; Women in fighting games
I love to write about fighting games, and fighting game characters. If you want a collection of articles about women in fighting games then Bookmark This Page.
Thursday, September 28, 2017
Hiding the master in plain sight, the genius of SNK's character design...part 2
Fatal Fury introduced audiences to the SNK school of fighting game design. Audiences could now choose between traditional masters like Joe Higashi, street fighters like Terry Bogard, or a hybrid fighter like Andy Bogard. By contrast the Capcom school of design was rooted closer to featuring only martial arts archetypes. The fighters all wore costumes that looked classic, they each represented a certain school of fighting. Almost none of the characters in Street Fighter II wore street clothing, whereas many of those in Fatal Fury did. This boiled down to the people that were developing the games. Takashi Nishiyama and Hiroshi Matsumoto put literal street fighters in the original Street Fighter. People like Mike, Joe and Birdie fought in their everyday clothing. These things carried over into Fatal Fury’s cast. It was Yoshiki Okamoto, Akira Nishitani and Akira Yasuda that decided to focus on archetypes for Street Fighter II. SNK boss Eikichi Kawasaki wanted his fighting games to be the biggest and the best, his new title, developed by Mr. Matsumoto was the most ambitious.
Mr. Matsumoto wanted The Art of Fighting (AoF) to be more cinematic, to look and feel like an action movie. To be more visceral than any game before it. Like Street Smart and Fatal Fury there was a mix of the traditional martial arts master and the street fighter as playable characters. The fictional Kyokugenryu Karate style was placed on both Robert Garcia and Ryo Sakazaki. The two were evolved from the Ken and Ryu template respectively. This new game was really pushing the power of the Neo Geo console. It featured more color, more detail and sprites bigger than the competition’s. Not to mention that it had graphics that zoomed in and out of the action. These sprites could also reveal damage. Characters bruised and their clothing tore from round to round. There was even a slight RPG element as characters could grow and evolve thanks to the lessons learned in the bonus stages. The genius of this game came in the planning stages. If SNK wanted to dethrone Capcom as the best fighting game developer then they had to offer the best experience. Although Fatal Fury and the Art of Fighting looked and played differently they were part of the same shared universe. This meant that at some point there would be a crossover game featuring a massive library of established characters.
The entire cinematic feel of AoF was not lost on audiences. The figures in the game had more realistic proportions and looked less cartoonish than their rivals. It was much easier to get pulled into this world as bits and pieces of the story were revealed in between every stage. Yuri Sakazaki, the young sister of Ryo had been kidnapped. It was up to Ryo and Robert to find and save her. Every person that the duo faced had been hired or bribed by Mr. Big, a South Town mob boss. Each encounter brought them one step closer to the truth. At the end of the journey Ryo found out that the kidnapper was a martial arts master known as Mr. Karate. At the climax of the game Yuri stopped her brother from killing Mr. Karate. She cried out that man was their father. This was an exceptional plot twist and something that set up a sequel. It turned out that both Mr. Big and Mr. Karate answered to Geese Howard. Now that Yuri was safe there would be a reckoning between the Sakazaki family and Howard. Imagine how confident Geese must have been in his abilities by also starting a war with the Bogard brothers at around the same time. Story points aside the AoF game is one of the perfect examples of the SNK school of design. I’ll begin with one of the best masters hidden in plain sight.
A while back I talked about how the traditional Muay Thai master ended up in fighting games. I called Chompoo the first notable female Muay Thai master in a fighting game. This angered a lot of SNK fans because the character King predated her by more than 20 years. In context I was talking about actual Thai fighters that dressed in the traditional fighting uniforms. Chompoo had the shorts, taped up hands and feet and even headdress. I was not talking about characters that knew Thai boxing. With that said let’s actually look at the elements that went into making King and why she had a fantastic design. First off she wore a suit, close to that of a bartender in a high class restaurant. She had the familiar stance, hands up for striking and moving on the balls of her feet. If you had asked any other designer to create a female Muay Thai master you probably would have ended up with someone that looked more like the character by Saeed Jalabi. Saeed hit all of the traditional notes perfectly. The shorts, headdress and even wrapped cords of older, classical forms of the Thai boxing arts. Any audience member could look at the design and know instantly this was some sort of fighter. Even if the gamer was not familiar with the fighting arts they could still tell a few things about her. The athletic frame, toned muscles, wrapped hands and feet were meant for striking. This was not a ceremonial costume but one for competition.
By contrast look at the design that Toshiaki Mori came up with. The SNK designer would become one of the most influential artists of all time. Most people would recognize him by his pen name, Shinkiro. He didn’t approach his designs the way one would have expected. What made his work so great was how down-to-Earth every figure was. When he was helping create the costumes for the AoF cast he knew to make each character fit the story. As Robert and Ryo made their way through South Town the people they fought reflected a certain part of the city. The thugs looked like biker gang members, those in the military wore fatigues. Having a half-naked Muay Thai fighter in a classy restaurant would not have made any sense. But what about one dressed like a bartender? The uniform was central to the character. Modern martial arts movies featured characters that wore deceptive clothing. One the first examples was the tuxedo that Robert Baker wore when he fought Bruce Lee in Fist of Fury (1972). Bruce Lee helped bring classic wuxia or Chinese hero stories into the modern era. The same thing was true of the suit that Benny Urquidez wore when he fought Jackie Chan in Wheels on Meals (1984).
The suit was deceptive but that was only one layer of Shinkiro’s design. King looked like an effeminate man, or perhaps a boy. Audiences had been conditioned to expect 99% of the people they fought to be men. Up until that point Fan from Yie Ar Kung-Fu was the only female opponent in a fighting game and Chun-Li from Street Fighter II was the only playable female character. Audiences expected a female martial artists to be wearing a traditional dress. That whole idea was turned upside down if players tore the blouse off of King with a special attack. That was when it was revealed that she was wearing a bra underneath. That violent act made the game feel far more mature than any other title. This sort of turn was something that you would expect in a movie and certainly not in a game. SNK hid the reveal right until the end, going so far as to name the character King instead of Queen. In doing so it made the design very memorable. This master of the fighting arts was hiding in plain sight. She would be the perfect example as to what set SNK apart from the competition.
If you have been reading my blogs for a while then you know that I like to dig into the influences behind the various characters. For King the most obvious comparison would be with the martial arts star Cynthia Rothrock. Since 1985 Cynthia had been featured in a string of movies, mostly produced overseas. Women hadn’t really been considered for leading roles in most Western-produced martial arts films. There have been exceptions of course in other action films such as the Black Widow from the Avengers films, Furiosa from Mad Max or Gazelle from the Kingsmen. Those characters were almost always in a supporting role and not the stars of the film. In Hong Kong however women could be the stars of the film. This was a tradition going back to 1928. Heroes came in all shapes (see the chubby Sammo Hung), sizes, and colors even. When Cynthia couldn’t land a role in a US film she was almost always guaranteed to find a spot in Hong Kong. The same thing was true for Ron Van Clief. As a black martial artist, and Army veteran he faced tremendous racism in the USA but was a welcome star in Hong Kong cinema.
Cynthia’s trademark short haircut, lightning fast kicks and array of martial arts moves made her a stand out star. She had been actively involved in martial arts for a long time and was trained in different schools, including Tang Soo Do, Tae Kwon Do, Eagle Claw, Wu Shu, and both Southern and Northern Shaolin. She was able to hold her own against many men and women artists from Hong Kong, some of which learned fighting and acrobatics from the Chinese Opera, just like Jackie Chan. Cynthia often played a street smart cop, nicknamed China O’Brien in one of her more famous recurring roles. She was such a formidable figure that I would argue she not only influenced the design behind King but also Blue Mary, who turned up in the Fatal Fury series. This made Cynthia one of the rare real world figures that inspired the creation of more than one character, in more than one game series.
Cynthia was not shy about using her good looks in the roles she played. When the part called for it she would show some skin, tastefully of course. The people working at SNK were keenly aware of how the actress sexed up some of her parts or modeling shoots. Shinkiro did not outright try to make King a voluptuous, overly sexualized character. It would have destroyed any surprise waiting for audiences when they first saw her. It was the other artists working at the studio that started putting her in form-fitting suits, they turned her vest into a bustier and starting pushing her breasts out further and further. She would not longer appear androgynous following the AoF. Blue Mary had always been presented as the more sexualized of the designs. She was top heavy with an exposed midriff, wearing uniforms that were not standard law-enforcement. A very skimpy white top and denim bottom was created as an alternate costume for her in King of Fighters (KOF): Maximum Impact 2 Regulation A. This costume was inspired by an outfit worn by Rothrock in a modeling shoot. However we should confuse the two. The design behind King and her planning extended far into the lore or the SNK universe.
On the surface King was a very simple design. She had the skills and grace of a top bartender but with the power of a no-nonsense bouncer. On top of everything she was not going to remain as a bit player in South Town. The figures in the SNK universe had room to grow and the did in the various KOF sequels. The Sakazaki family opened Kyokygenryu schools, with Ryo entering tournaments to help spread its name. Andy and Terry Bogard travelled the globe following the trail of Geese Howard and making new allies along the way. King made fast friends with the other leading females in the KOF series. She partnered with the ninja Mai Shiranui and Kyokugenryu prodigy Yuri Sakazaki to form an all-women team. This was a first in fighting game history. She also partnered with them to open a club in a later timeline. King had taken her experience, including learning from Capoeira master Richard Meyer and his infamous Pao Pao Cafe, and applied it to her own business. She was ambitious and was destined to be a major player in South Town, yet unlike Geese Howard she was going to do this without resorting to extortion. King was an exceptional character design and easily one of the greatest fighting game characters ever created, female or otherwise. Artists and developers try to break into the genre should learn from SNK and see how they were able to hide these martial artists in plain site. The studio was able to hide masters in many ways. We will explore the ways they were able to do this in the next blog. As always if you enjoyed this blog and would like to sponsor me please visit my Patreon page and consider donating each month, even as little as $1 would help make better blogs and even podcasts!
Mr. Matsumoto wanted The Art of Fighting (AoF) to be more cinematic, to look and feel like an action movie. To be more visceral than any game before it. Like Street Smart and Fatal Fury there was a mix of the traditional martial arts master and the street fighter as playable characters. The fictional Kyokugenryu Karate style was placed on both Robert Garcia and Ryo Sakazaki. The two were evolved from the Ken and Ryu template respectively. This new game was really pushing the power of the Neo Geo console. It featured more color, more detail and sprites bigger than the competition’s. Not to mention that it had graphics that zoomed in and out of the action. These sprites could also reveal damage. Characters bruised and their clothing tore from round to round. There was even a slight RPG element as characters could grow and evolve thanks to the lessons learned in the bonus stages. The genius of this game came in the planning stages. If SNK wanted to dethrone Capcom as the best fighting game developer then they had to offer the best experience. Although Fatal Fury and the Art of Fighting looked and played differently they were part of the same shared universe. This meant that at some point there would be a crossover game featuring a massive library of established characters.
The entire cinematic feel of AoF was not lost on audiences. The figures in the game had more realistic proportions and looked less cartoonish than their rivals. It was much easier to get pulled into this world as bits and pieces of the story were revealed in between every stage. Yuri Sakazaki, the young sister of Ryo had been kidnapped. It was up to Ryo and Robert to find and save her. Every person that the duo faced had been hired or bribed by Mr. Big, a South Town mob boss. Each encounter brought them one step closer to the truth. At the end of the journey Ryo found out that the kidnapper was a martial arts master known as Mr. Karate. At the climax of the game Yuri stopped her brother from killing Mr. Karate. She cried out that man was their father. This was an exceptional plot twist and something that set up a sequel. It turned out that both Mr. Big and Mr. Karate answered to Geese Howard. Now that Yuri was safe there would be a reckoning between the Sakazaki family and Howard. Imagine how confident Geese must have been in his abilities by also starting a war with the Bogard brothers at around the same time. Story points aside the AoF game is one of the perfect examples of the SNK school of design. I’ll begin with one of the best masters hidden in plain sight.
A while back I talked about how the traditional Muay Thai master ended up in fighting games. I called Chompoo the first notable female Muay Thai master in a fighting game. This angered a lot of SNK fans because the character King predated her by more than 20 years. In context I was talking about actual Thai fighters that dressed in the traditional fighting uniforms. Chompoo had the shorts, taped up hands and feet and even headdress. I was not talking about characters that knew Thai boxing. With that said let’s actually look at the elements that went into making King and why she had a fantastic design. First off she wore a suit, close to that of a bartender in a high class restaurant. She had the familiar stance, hands up for striking and moving on the balls of her feet. If you had asked any other designer to create a female Muay Thai master you probably would have ended up with someone that looked more like the character by Saeed Jalabi. Saeed hit all of the traditional notes perfectly. The shorts, headdress and even wrapped cords of older, classical forms of the Thai boxing arts. Any audience member could look at the design and know instantly this was some sort of fighter. Even if the gamer was not familiar with the fighting arts they could still tell a few things about her. The athletic frame, toned muscles, wrapped hands and feet were meant for striking. This was not a ceremonial costume but one for competition.
By contrast look at the design that Toshiaki Mori came up with. The SNK designer would become one of the most influential artists of all time. Most people would recognize him by his pen name, Shinkiro. He didn’t approach his designs the way one would have expected. What made his work so great was how down-to-Earth every figure was. When he was helping create the costumes for the AoF cast he knew to make each character fit the story. As Robert and Ryo made their way through South Town the people they fought reflected a certain part of the city. The thugs looked like biker gang members, those in the military wore fatigues. Having a half-naked Muay Thai fighter in a classy restaurant would not have made any sense. But what about one dressed like a bartender? The uniform was central to the character. Modern martial arts movies featured characters that wore deceptive clothing. One the first examples was the tuxedo that Robert Baker wore when he fought Bruce Lee in Fist of Fury (1972). Bruce Lee helped bring classic wuxia or Chinese hero stories into the modern era. The same thing was true of the suit that Benny Urquidez wore when he fought Jackie Chan in Wheels on Meals (1984).
The suit was deceptive but that was only one layer of Shinkiro’s design. King looked like an effeminate man, or perhaps a boy. Audiences had been conditioned to expect 99% of the people they fought to be men. Up until that point Fan from Yie Ar Kung-Fu was the only female opponent in a fighting game and Chun-Li from Street Fighter II was the only playable female character. Audiences expected a female martial artists to be wearing a traditional dress. That whole idea was turned upside down if players tore the blouse off of King with a special attack. That was when it was revealed that she was wearing a bra underneath. That violent act made the game feel far more mature than any other title. This sort of turn was something that you would expect in a movie and certainly not in a game. SNK hid the reveal right until the end, going so far as to name the character King instead of Queen. In doing so it made the design very memorable. This master of the fighting arts was hiding in plain sight. She would be the perfect example as to what set SNK apart from the competition.
If you have been reading my blogs for a while then you know that I like to dig into the influences behind the various characters. For King the most obvious comparison would be with the martial arts star Cynthia Rothrock. Since 1985 Cynthia had been featured in a string of movies, mostly produced overseas. Women hadn’t really been considered for leading roles in most Western-produced martial arts films. There have been exceptions of course in other action films such as the Black Widow from the Avengers films, Furiosa from Mad Max or Gazelle from the Kingsmen. Those characters were almost always in a supporting role and not the stars of the film. In Hong Kong however women could be the stars of the film. This was a tradition going back to 1928. Heroes came in all shapes (see the chubby Sammo Hung), sizes, and colors even. When Cynthia couldn’t land a role in a US film she was almost always guaranteed to find a spot in Hong Kong. The same thing was true for Ron Van Clief. As a black martial artist, and Army veteran he faced tremendous racism in the USA but was a welcome star in Hong Kong cinema.
Cynthia’s trademark short haircut, lightning fast kicks and array of martial arts moves made her a stand out star. She had been actively involved in martial arts for a long time and was trained in different schools, including Tang Soo Do, Tae Kwon Do, Eagle Claw, Wu Shu, and both Southern and Northern Shaolin. She was able to hold her own against many men and women artists from Hong Kong, some of which learned fighting and acrobatics from the Chinese Opera, just like Jackie Chan. Cynthia often played a street smart cop, nicknamed China O’Brien in one of her more famous recurring roles. She was such a formidable figure that I would argue she not only influenced the design behind King but also Blue Mary, who turned up in the Fatal Fury series. This made Cynthia one of the rare real world figures that inspired the creation of more than one character, in more than one game series.
Cynthia was not shy about using her good looks in the roles she played. When the part called for it she would show some skin, tastefully of course. The people working at SNK were keenly aware of how the actress sexed up some of her parts or modeling shoots. Shinkiro did not outright try to make King a voluptuous, overly sexualized character. It would have destroyed any surprise waiting for audiences when they first saw her. It was the other artists working at the studio that started putting her in form-fitting suits, they turned her vest into a bustier and starting pushing her breasts out further and further. She would not longer appear androgynous following the AoF. Blue Mary had always been presented as the more sexualized of the designs. She was top heavy with an exposed midriff, wearing uniforms that were not standard law-enforcement. A very skimpy white top and denim bottom was created as an alternate costume for her in King of Fighters (KOF): Maximum Impact 2 Regulation A. This costume was inspired by an outfit worn by Rothrock in a modeling shoot. However we should confuse the two. The design behind King and her planning extended far into the lore or the SNK universe.
On the surface King was a very simple design. She had the skills and grace of a top bartender but with the power of a no-nonsense bouncer. On top of everything she was not going to remain as a bit player in South Town. The figures in the SNK universe had room to grow and the did in the various KOF sequels. The Sakazaki family opened Kyokygenryu schools, with Ryo entering tournaments to help spread its name. Andy and Terry Bogard travelled the globe following the trail of Geese Howard and making new allies along the way. King made fast friends with the other leading females in the KOF series. She partnered with the ninja Mai Shiranui and Kyokugenryu prodigy Yuri Sakazaki to form an all-women team. This was a first in fighting game history. She also partnered with them to open a club in a later timeline. King had taken her experience, including learning from Capoeira master Richard Meyer and his infamous Pao Pao Cafe, and applied it to her own business. She was ambitious and was destined to be a major player in South Town, yet unlike Geese Howard she was going to do this without resorting to extortion. King was an exceptional character design and easily one of the greatest fighting game characters ever created, female or otherwise. Artists and developers try to break into the genre should learn from SNK and see how they were able to hide these martial artists in plain site. The studio was able to hide masters in many ways. We will explore the ways they were able to do this in the next blog. As always if you enjoyed this blog and would like to sponsor me please visit my Patreon page and consider donating each month, even as little as $1 would help make better blogs and even podcasts!
Monday, July 4, 2016
The legend of Blue Mary, or girls in fighting games, part 3
Fatal Fury had built a tremendous fan following in the '90s. The story, characters and fighting styles represented were very unique. SNK had done a great job of introducing characters from around the world and connected many of them to real martial arts. Even the characters that did not represent a particular style, like Terry Bogard, still fit into the universe. SNK was showing audiences that the modern masters of fighting did not have to dress up in robes or gi's in order to be legitimate threats. When the studio wanted to introduce a new female lead in the series they had a perfect template to pull from. Blue Mary had many design cues that were based on Terry. Put the two side-by-side and it's easy to see what I'm referring to. The red top, blue pants and gloves was only the beginning.
Notice how well defined Blue Mary's muscles were. Usually female characters in fighting games were slim. Some were voluptuous but none were presented muscular. Many of the early female characters in fighting games were Asian. Many Asian cultures (and many Western nations) did not consider women with big muscles to be attractive. The male stars in fighting games were always expected to have huge muscles. It made them look more believable as serious brawlers. The same rules applied to comic book heroes of course. Blue Mary changed all of that. As a female balance to Terry she maintained a certain level of athleticism and raw power. Her abs, shoulders and biceps were all well defined and much larger than the muscles on her female co-stars. This seemed acceptable on an "American" character. Her femininity remained, as did her large breasts, and to many players she remained attractive.
On a surface level Blue Mary had the same design cues as Terry. None of her moves, except for Spin Fall even remotely resembled the power moves of Terry. Blue Mary had far many different techniques going for her, not the least of which were having some of the first grapples, submission takedowns and strikes into grapples of any fighting game character. I consider Blair Dame from Street Fighter EX to be the first mixed martial arts character in a fighting game. She debuted in 1996, yet Blue Mary appeared one year earlier and had many similar techniques. So what gives? Blue Mary had moves that were more in line with combat Sambo, a Soviet-era form of fighting that gained exposure in freestyle and vale-tudo tournaments. These were the sorts of no-holds-barred contests that predated modern mixed martial arts tournaments. Sambo would be used by Russian soldiers to help subdue enemies in close quarters combat. There were many lightning quick strikes mixed with takedowns and painful joint lock techniques. The 3D fighting games would features these techniques on characters like Sergei Dragunov and Bayman from the respective Tekken and Dead or Alive series. It made sense that cops and soldiers would be masters of these techniques.
Blue Mary was a vicious grappler with amazing strength. She could hoist her opponents overhead and perform a Back Drop. It was an incredibly dangerous move made popular by the late . The move was banned in the WWE for being too risky. I could easily imagine Mary doing this to unsuspecting criminals. When she didn't go high with her attacks she knew how to shoot low for a takedown. The ankle lock called the M. Crab Clutch could snap a leg as easily as a chicken bone. These were only a few of her awesome moves. It made sense that Butch and her father had shared some of their Secret Service training with her. For opponents that were stand up fighters Mary had a way of breaking them down as well. She was equally fast and strong. She was able to cut into any defense and perform a rolling arm bar. This move would be known as the M. Spider. A variation of the leaping arm bar was given to Gai Tendo, the star of the Buriki One Tournament. His version was known as the Gai Spider. As great a character as Gai was just remember that Mary was doing some MMA moves many years earlier!
Blue Mary would grow in popularity over the years. Like some of her Fatal Fury co-stars she would eventually turn up in the King of Fighters series as well. Her moves and purpose filled a void that had been missing in the series. To be specific law enforcement officers weren't usually represented in fighting games, especially not in Japanese ones. There were heroes of all sorts but they were usually traditional martial arts masters. There were even military characters from time to time because audiences could accept them as dangerous fighters. Cops on the other hand didn't always have the reputation for being great martial artists. Chun-Li and Blue Mary certainly changed that perception while also serving as powerful female role-models. Blue Mary's distant relative appeared in Garou: Mark of the Wolves, a game from 1999. The game was set about a decade after the events of Fatal Fury 3. The new brawler was known as Kevin Rian, he was a cop, a representative of the Second South Town police force. His last name was mistranslated by the localization team as it was supposed to be Kevin Ryan. He was big with a few grappling moves and heavy hands. His design fit somewhere in between Ralf and Clark, the Ikari Warriors from the King of Fighters tournament crossed with Blue Mary. Kevin, like the other characters in Mark of the Wolves, reflected almost a decade of fantastic character designs. The studio had experimented with graphics, controls and aesthetics and was really hitting its peak by 2000.
From a physical standpoint Blue Mary had all of the same design elements that were originally applied to Terry Bogard. Many of these things were due to the Japanese trying to introduce a "cool" Western fighter into their franchise. It was mostly relying on stereotype, that white Americans had blonde hair, blue eyes, wore jeans and sneakers. The Japanese animé aesthetic paid off when combined with the trope. Mary was young, athletic, and confident. The same characteristics that made Terry appealing to the first generation of fans worked years later and would continue to work in future titles. Mary had staying power as did the better fighters from the Fatal Fury and Art of Fighting franchises. When variations of those characters turned up in Garou: Mark of the Wolves it worked extremely well.
When variations of the look turned up in pachislot machines (a combination pachinko and slot machine popular in Japanese arcades) it still worked. Take a look at Alice Garnet Nakata, the idol character featured in the game. She was a sort of crude talking cheerleader that followed Terry around. Her look was planted in between the style of Terry and Mary. The familiar red, white and blue motif, the cap, the red heels instead of sneakers. Of course you can't miss the extra-wide belt. It's almost as if somebody at SNK had wondered out loud what would have happened if Terry and Mary had a daughter. What would she look like? Well the truth is a little bit backwards. In the planning stages of Fatal Fury 3 there was a new female character in the works called Alice Chrysler (the Japanese aren't the best at making up Western-sounding names). Alice was an understudy of TaeKwon-Do master Kim Kaphwan. She had an affinity for Terry Bogard and was designed to replace Mai Shiranui as the female lead. From a design standpoint she would have beaten Sakura as the younger girl version of the star by one whole year. SNK decided against the original Alice and went back to the drawing board. She got a little older, stronger and was working with different fighting forms and a new name, Mary Ryan. All great ideas however never really die. The studio revisited the understudy of Kim and a new character came out called Chae Lim. The scrappy "secret weapon" with short feathered hair would debut in the KOF Maximum Impact Tournament in 2004. Almost a decade later the studio revisited Alice for the pachislot machine. Her long ponytail gave way to short feathered hair in her makeover. In 2016 SNK would make her a formal character in the King of Fighters XIV.
Competition between SNK and Capcom meant that both studios were taking chances with character designs. In the early days the studios were influenced by action cinema and manga. The heroes of those first games were based on real martial artists and mythical fighters. In time the studios learned that fighting games did not have to be solely about burly men trading punches. They could be about cops, soldiers, gifted orphans, girls and women. If these people had a talent, a solid design and a reason to fight then audiences were willing to come along for the ride. Through the '90s SNK had made some of the biggest advances in diversity for the genre. When the studio decided that the King of Fighters should be about team play then it meant that the roster would have to be filled in with dozens of new faces. There was no way that they could all be men. The women they started with were already well known and all the new ones introduced, both good and evil, found a following. Blue Mary was near the top of the list. She was well regarded and many fans wanted to see if SNK planned any sort of resolution between her and Terry Bogard. It was the unspoken thing that fans had wondered about all fighting games. What sort of relationship did the main characters have and would the male and female stars of the games ever get together. Capcom fans from both sides of the Pacific wondered out loud if Ryu and Chun-Li were a couple. That was the case in the licensed Hong Kong comics and of course many fan pieces.
For SNK fans many wondered if Terry and Mary ever "hooked up." SNK and Capcom avoided the question for most of their characters. This was because when they designed them they didn't have romance in mind. Each and every fighter, male and female, was a stand-alone design. They did not need to have a relationship with any other character in order to be accepted. Kevin Rian and Mary Ryan may have been related but both looked and fought very differently from each other. Even if one character were introduced because of the success of a previous icon it didn't matter. Sakura and Sean for example were not Xerox copies of Ken and Ryu despite being labeled "Shotoclones." Each subsequent fighter from the biggest studios had to hold up to the designs in other titles. When Blue Mary and Sakura debuted they were a sort of balance to the male stars of the games. They had just enough design cues so that audiences knew where they came from, and also enough originality to them as to make them unique fighters. Yet that didn't stop fans from asking the question, especially between Terry and Mary. Terry after all was a lone wolf. His brother Andy had a relationship with the busty ninja Mai Shiranui but poor Terry was all alone. Then there was Mary, she lost her boyfriend and father and was living with a dog. If there was someone in South Town that needed a new relationship it would have been her. Only it didn't come to pass. At least not in the first decade of the Fatal Fury timeline. Terry was busy raising a surrogate son and Mary was busy with her career of keeping South Town from imploding. What SNK did do however was give fans a hint of closure.
In the drama CD Memories of Stray Wolves Terry and Rock Howard were putting together a narrative. Where did it all begin for the main characters, why were they fighting, where did the time go? Rock was on the eve of his first King of Fighters tournament, he was a little nervous but he also wanted some answers. This story was set during the timeline of Mark of the Wolves, a decade after the demise of Geese Howard. Fatal Fury alumni Duck King, Richard Meyer and Blue Mary all made appearances. Mary was dealing with a few difficult cases and hadn't had a chance to visit with them as often as she'd like. Rock left to find his way and Terry seemed a little blue. Mary showed up on her motorcycle at the end of the story. The years had been kind to both as they still made an attractive couple. While it was never implied in the games there was a relationship between the two. Terry jumped on the back of her motorcycle to look for some fun. It was a creative risk that worked well for the canon and character development at SNK. It was something that was not introduced for the characters until years later and it made sense. It was an evolutionary shift for character designs which gave them more dimension and made the more personable. While I don't think that Ryu or Chun-Li should ever be seen the same way it would be nice to see Capcom age and mature the characters more in the Street Fighter series. There has been too much rehashing of the same characters year after year. We will see how else things have changed post King of Fighters XIV and Street Fighter V. I am looking forward to that. How about you? As always if you enjoyed this blog and would like to sponsor me please visit my Patreon page and consider donating each month, even as little as $1 would help make better blogs and even podcasts!
Notice how well defined Blue Mary's muscles were. Usually female characters in fighting games were slim. Some were voluptuous but none were presented muscular. Many of the early female characters in fighting games were Asian. Many Asian cultures (and many Western nations) did not consider women with big muscles to be attractive. The male stars in fighting games were always expected to have huge muscles. It made them look more believable as serious brawlers. The same rules applied to comic book heroes of course. Blue Mary changed all of that. As a female balance to Terry she maintained a certain level of athleticism and raw power. Her abs, shoulders and biceps were all well defined and much larger than the muscles on her female co-stars. This seemed acceptable on an "American" character. Her femininity remained, as did her large breasts, and to many players she remained attractive.
On a surface level Blue Mary had the same design cues as Terry. None of her moves, except for Spin Fall even remotely resembled the power moves of Terry. Blue Mary had far many different techniques going for her, not the least of which were having some of the first grapples, submission takedowns and strikes into grapples of any fighting game character. I consider Blair Dame from Street Fighter EX to be the first mixed martial arts character in a fighting game. She debuted in 1996, yet Blue Mary appeared one year earlier and had many similar techniques. So what gives? Blue Mary had moves that were more in line with combat Sambo, a Soviet-era form of fighting that gained exposure in freestyle and vale-tudo tournaments. These were the sorts of no-holds-barred contests that predated modern mixed martial arts tournaments. Sambo would be used by Russian soldiers to help subdue enemies in close quarters combat. There were many lightning quick strikes mixed with takedowns and painful joint lock techniques. The 3D fighting games would features these techniques on characters like Sergei Dragunov and Bayman from the respective Tekken and Dead or Alive series. It made sense that cops and soldiers would be masters of these techniques.
Blue Mary was a vicious grappler with amazing strength. She could hoist her opponents overhead and perform a Back Drop. It was an incredibly dangerous move made popular by the late . The move was banned in the WWE for being too risky. I could easily imagine Mary doing this to unsuspecting criminals. When she didn't go high with her attacks she knew how to shoot low for a takedown. The ankle lock called the M. Crab Clutch could snap a leg as easily as a chicken bone. These were only a few of her awesome moves. It made sense that Butch and her father had shared some of their Secret Service training with her. For opponents that were stand up fighters Mary had a way of breaking them down as well. She was equally fast and strong. She was able to cut into any defense and perform a rolling arm bar. This move would be known as the M. Spider. A variation of the leaping arm bar was given to Gai Tendo, the star of the Buriki One Tournament. His version was known as the Gai Spider. As great a character as Gai was just remember that Mary was doing some MMA moves many years earlier!
Blue Mary would grow in popularity over the years. Like some of her Fatal Fury co-stars she would eventually turn up in the King of Fighters series as well. Her moves and purpose filled a void that had been missing in the series. To be specific law enforcement officers weren't usually represented in fighting games, especially not in Japanese ones. There were heroes of all sorts but they were usually traditional martial arts masters. There were even military characters from time to time because audiences could accept them as dangerous fighters. Cops on the other hand didn't always have the reputation for being great martial artists. Chun-Li and Blue Mary certainly changed that perception while also serving as powerful female role-models. Blue Mary's distant relative appeared in Garou: Mark of the Wolves, a game from 1999. The game was set about a decade after the events of Fatal Fury 3. The new brawler was known as Kevin Rian, he was a cop, a representative of the Second South Town police force. His last name was mistranslated by the localization team as it was supposed to be Kevin Ryan. He was big with a few grappling moves and heavy hands. His design fit somewhere in between Ralf and Clark, the Ikari Warriors from the King of Fighters tournament crossed with Blue Mary. Kevin, like the other characters in Mark of the Wolves, reflected almost a decade of fantastic character designs. The studio had experimented with graphics, controls and aesthetics and was really hitting its peak by 2000.
From a physical standpoint Blue Mary had all of the same design elements that were originally applied to Terry Bogard. Many of these things were due to the Japanese trying to introduce a "cool" Western fighter into their franchise. It was mostly relying on stereotype, that white Americans had blonde hair, blue eyes, wore jeans and sneakers. The Japanese animé aesthetic paid off when combined with the trope. Mary was young, athletic, and confident. The same characteristics that made Terry appealing to the first generation of fans worked years later and would continue to work in future titles. Mary had staying power as did the better fighters from the Fatal Fury and Art of Fighting franchises. When variations of those characters turned up in Garou: Mark of the Wolves it worked extremely well.
When variations of the look turned up in pachislot machines (a combination pachinko and slot machine popular in Japanese arcades) it still worked. Take a look at Alice Garnet Nakata, the idol character featured in the game. She was a sort of crude talking cheerleader that followed Terry around. Her look was planted in between the style of Terry and Mary. The familiar red, white and blue motif, the cap, the red heels instead of sneakers. Of course you can't miss the extra-wide belt. It's almost as if somebody at SNK had wondered out loud what would have happened if Terry and Mary had a daughter. What would she look like? Well the truth is a little bit backwards. In the planning stages of Fatal Fury 3 there was a new female character in the works called Alice Chrysler (the Japanese aren't the best at making up Western-sounding names). Alice was an understudy of TaeKwon-Do master Kim Kaphwan. She had an affinity for Terry Bogard and was designed to replace Mai Shiranui as the female lead. From a design standpoint she would have beaten Sakura as the younger girl version of the star by one whole year. SNK decided against the original Alice and went back to the drawing board. She got a little older, stronger and was working with different fighting forms and a new name, Mary Ryan. All great ideas however never really die. The studio revisited the understudy of Kim and a new character came out called Chae Lim. The scrappy "secret weapon" with short feathered hair would debut in the KOF Maximum Impact Tournament in 2004. Almost a decade later the studio revisited Alice for the pachislot machine. Her long ponytail gave way to short feathered hair in her makeover. In 2016 SNK would make her a formal character in the King of Fighters XIV.
Competition between SNK and Capcom meant that both studios were taking chances with character designs. In the early days the studios were influenced by action cinema and manga. The heroes of those first games were based on real martial artists and mythical fighters. In time the studios learned that fighting games did not have to be solely about burly men trading punches. They could be about cops, soldiers, gifted orphans, girls and women. If these people had a talent, a solid design and a reason to fight then audiences were willing to come along for the ride. Through the '90s SNK had made some of the biggest advances in diversity for the genre. When the studio decided that the King of Fighters should be about team play then it meant that the roster would have to be filled in with dozens of new faces. There was no way that they could all be men. The women they started with were already well known and all the new ones introduced, both good and evil, found a following. Blue Mary was near the top of the list. She was well regarded and many fans wanted to see if SNK planned any sort of resolution between her and Terry Bogard. It was the unspoken thing that fans had wondered about all fighting games. What sort of relationship did the main characters have and would the male and female stars of the games ever get together. Capcom fans from both sides of the Pacific wondered out loud if Ryu and Chun-Li were a couple. That was the case in the licensed Hong Kong comics and of course many fan pieces.
For SNK fans many wondered if Terry and Mary ever "hooked up." SNK and Capcom avoided the question for most of their characters. This was because when they designed them they didn't have romance in mind. Each and every fighter, male and female, was a stand-alone design. They did not need to have a relationship with any other character in order to be accepted. Kevin Rian and Mary Ryan may have been related but both looked and fought very differently from each other. Even if one character were introduced because of the success of a previous icon it didn't matter. Sakura and Sean for example were not Xerox copies of Ken and Ryu despite being labeled "Shotoclones." Each subsequent fighter from the biggest studios had to hold up to the designs in other titles. When Blue Mary and Sakura debuted they were a sort of balance to the male stars of the games. They had just enough design cues so that audiences knew where they came from, and also enough originality to them as to make them unique fighters. Yet that didn't stop fans from asking the question, especially between Terry and Mary. Terry after all was a lone wolf. His brother Andy had a relationship with the busty ninja Mai Shiranui but poor Terry was all alone. Then there was Mary, she lost her boyfriend and father and was living with a dog. If there was someone in South Town that needed a new relationship it would have been her. Only it didn't come to pass. At least not in the first decade of the Fatal Fury timeline. Terry was busy raising a surrogate son and Mary was busy with her career of keeping South Town from imploding. What SNK did do however was give fans a hint of closure.
In the drama CD Memories of Stray Wolves Terry and Rock Howard were putting together a narrative. Where did it all begin for the main characters, why were they fighting, where did the time go? Rock was on the eve of his first King of Fighters tournament, he was a little nervous but he also wanted some answers. This story was set during the timeline of Mark of the Wolves, a decade after the demise of Geese Howard. Fatal Fury alumni Duck King, Richard Meyer and Blue Mary all made appearances. Mary was dealing with a few difficult cases and hadn't had a chance to visit with them as often as she'd like. Rock left to find his way and Terry seemed a little blue. Mary showed up on her motorcycle at the end of the story. The years had been kind to both as they still made an attractive couple. While it was never implied in the games there was a relationship between the two. Terry jumped on the back of her motorcycle to look for some fun. It was a creative risk that worked well for the canon and character development at SNK. It was something that was not introduced for the characters until years later and it made sense. It was an evolutionary shift for character designs which gave them more dimension and made the more personable. While I don't think that Ryu or Chun-Li should ever be seen the same way it would be nice to see Capcom age and mature the characters more in the Street Fighter series. There has been too much rehashing of the same characters year after year. We will see how else things have changed post King of Fighters XIV and Street Fighter V. I am looking forward to that. How about you? As always if you enjoyed this blog and would like to sponsor me please visit my Patreon page and consider donating each month, even as little as $1 would help make better blogs and even podcasts!
Friday, July 1, 2016
The legend of Blue Mary, or girls in fighting games, part 2...
In the previous blog I talked about how Capcom and SNK were trading jabs at each other through the characters they had introduced in their own respective fighting games. The competition was healthy from a business standpoint and also for fans that were lining up to try each and every new game and update from the two publishers. SNK and Capcom both had established strong female characters early on yet SNK also did something more unique. The designers in-house created female characters that could be interpreted as counterparts to the male stars. It was a sort of symmetry that worked for the most memorable fighting games but not many studios recognized that symmetry and balance were things that helped make the cast unique while filling out a roster. When Sakura debuted in Street Fighter Zero it was obvious that she was filling in a role as a female counterpart to Ryu, as well as taking design cues from Yuri Sakazaki. Dan was a sort of balance to the cast, a way of taking two SNK-ish characters and putting them in Street Fighter continuity. Yet there was something missing. Capcom didn't realize it until comic book artist Masahiko Nakahira introduced Karin Kanzuki in his Sakura Ganbare! comics. Suddenly it was too obvious that Sakura needed her own rich, white, counterpart. Karin was officially added by Capcom to the lineup in Street Fighter Zero / Alpha 3. Audiences in the West did not see the comics that introduced her until more than a decade later when Udon translated them. It didn't matter however, the fair skin, red dress and blonde hair pretty much summed up what Karin was supposed to represent. Her unique trapping strikes made her stand out, she was not another "shotoclone." She was certainly more than a girl version of Ken.
SNK had established one of the most important rules in fighting game character designs before Capcom; the symmetry of female counterparts to be specific. It can be fair to say that I did not credit the studio enough for their contributions to the genre in earlier blogs. SNK was critical in the history of the genre and shaped not only their own legacy but influenced the creative decisions in rival studios. SNK developed many strong female character archetypes in every fighting game they produced. The women in these games varied in age, style and ability. Some were very young but capable, and some were closer in age and strength to the male stars of the game. The other studios developing fighting games for the Neo Geo were sometimes on board with the strong female characters but others had more sexual pandering designs in mind. Yuri was a cute character in the Art of Fighting, she was the kid sister of Ryo Sakazaki and not meant to be the main protagonist. It was a fighter in the Fatal Fury series that proved sex and strength could be found in equal measure. While developing this character the team at SNK looked at the elements that made the star of the series work. They then created a female counterpart with a similar look, down to the color schemes and nationality, but with completely different moves. In essence you could say that the studio was working on Karin Kanzuki years before Capcom or Masahiko Nakahira even thought about it. The name of this revolutionary character was Mary Ryan aka Blue Mary. She would become a counterpoint to Terry Bogard. She demonstrated that a fem fighter could be an important addition to the lineup and not just fan service.
Blue Mary debuted in Fatal Fury 3 - Wild Ambition in 1995. Remember that both she and Yuri were playable characters in a fighting game before years before Sakura or Karin. Mary had a complex back story that would be unveiled over the years. It made her more than just a pretty face. Her origin helped the designers know how to present her in the series, how to include her into the plot and even figure out what techniques she would be using. Mary was always presented as a fearless, completely independent woman. Yet there was a good bit of planning behind this. Her father was a Secret Service Agent as was Butch her boyfriend. Both had taught her some fighting moves as did her own grandfather. Butch and her father were both killed in the line of duty. She believed strongly in justice and became a detective, working on and off for the law. When she debuted in Fatal Fury game there was nothing to lead players into thinking she was in a relationship. The two holdovers from her earlier life were put in plain site and only revealed later on. She was sometimes accompanied by a dog to her matches. This was Antonio or Anton for short, he was a puppy when Mary and Butch adopted him. She also wore a bomber jacket to the the fights, this was a gift from Butch before he passed away. Blue Mary could sometimes be seen riding a motorcycle. It was the obvious choice for a cool American character and a trait that was unique to her. In an early build of the King of Fighters '98 Blue Mary had the trifecta introduction, the motorcycle, her jacket, and Anton riding in the back with goggles on. I'm not sure why the intro was dropped in the final build. Maybe it was too masculine for Japanese tastes?
Blue Mary was as far from the dainty-fighter archetype as one could get. She was not the damsel in distress and she was certainly not the prize for any male lead. This character had a lot in common with the first female Street Fighter legend. Chun-Li's father was assassinated by Balrog (Claw), one of the generals of Shadowlaw (Shadaloo). She joined the police academy to obtain justice and eventually worked her way up to ICPO officer. She was a no-nonsense character behind the badge, especially while wearing her plain clothes uniform. What made her unique among the other female icons was that she could then switch her role and appear very feminine in the Street Fighter tournament. She wore nylons and a form-fitting, pseudo traditional dress. Blue Mary did not have this second layer of design. She was more like the female leads in other fighting games. The person that you saw in the pre-round animations and at the end of the game still looked the same.
The design and presentation of Blue Mary was deliberate. She was the cool cop, the rogue that didn't necessarily take orders, a trope created in Western films and shows like Lethal Weapon and Miami Vice. She was a hard drinking, door kicking, motorcycle riding, crime busting bad ass. You could almost imagine the character starring in her own crime action series. Chun-Li was much more reserved. Her time in the academy made her a student of the criminal mind. She began looking at the big picture instead of focusing on stopping individual crimes as she matured through the events of Street Fighter Zero and Street Fighter II. She knew that avenging the death of her father was only one piece of a bigger puzzle. The crimes, drugs, arms flooding the streets in Asia were being controlled by a central kingpin. It was revealed that General Vega had ordered the hit on her father. She would figure out that it was Shadowlaw trying to destabilize several countries in the south. She was instrumental in revealing this conspiracy and helping international forces take down their base of operations. She became a decorated officer in the process. Blue Mary on the other hand wasn't looking for accolades. She wanted to do her job and keep scum off the streets, even if it meant taking down a powerful kingpin in hand-to-hand combat. She was fearless, if slightly foolish, in that regard.
The physical appearance of Blue Mary was molded very closely on Terry Bogard the breakout star of the Fatal Fury series. The Japanese designers didn't really have a point of reference for white American martial arts stars. There were a few notable fighters in the '60s, '70s and '80s that did travel to Japan and abroad. Chuck Norris, Joe Lewis and Bill "Superfoot" Wallace were some of the high-profile white martial artists that made a name for themselves. They appeared on the popular ABC Wide World of Sports broadcasts and on the covers of Black Belt magazine. They were inspiring millions of white Americans to pursue the fighting arts while Bruce Lee and Jim Kelly were opening the eyes of minorities. Yet none of the men were big enough to have their own comic book or cartoon series in Japan, like Mas Oyama and Yoshiji Soeno. To be fair Chuck Norris did have his own cartoon and toy line in the USA in the '80s and Lee had his own comic book series as well. To the mainstream Japanese and many of the artists working at both SNK and Capcom they simply didn't know what made white America unique. They had a few fashion cues from our music videos, television shows and action films. This was what they used when creating Terry Bogard, and for that matter many of the other western characters in Capcom games as well. Stop and think about it for a second, if you were born in the USA and had a reputation for fighting would you wear jeans, a bright red jacket with a star on the back and a trucker cap? Maybe you would wear something more subdued, something that didn't attract too much attention especially from gangs or even the cops. Of course the developers in Japan assumed that their customers needed to see that trope, that stereotype in order to identify the cast. The American needed primary colors that were red, white and blue.
The designers at SNK didn't have to try very hard when creating their new cool female character. They changed some of the colors and dropped the cap but Blue Mary had a signature style that was very much reminiscent of Terry's, The physical similarities didn't end there. Both were blonde, it reinforced the idea that white people were mostly of English descent. Think about how many white characters, especially the early ones in fighting games were blonde. Ken and Joe in the original Street Fighter, Cody in Final Fight, the wrestler in Street Smart, Guile in Street Fighter II, Galford in Samurai Spirits, Ray in Fighter's History, Paul Phoenix in Tekken, Jacky Bryant in Virtua Fighter… the list goes on. It was a bit of racial pandering on the part of the developers. They assumed that most players in the West would want to try a character from their homeland before they tried an Asian character. It was logical thinking. What they often missed were the details that made the characters really "American" or "English" or "French." But I digress. That was only part of the reason why the characters were blonde. The primary colors that were assigned to the costumes needed balance. Most of the Japanese characters practiced karate and their gi was typically white. That costume contrasted well with black hair. They couldn't assign white costumes to the white characters with blonde hair, there wasn't enough contrast. So solid colors like red, green and blue were given to these fighters instead. Blonde hair worked well with those colors and the tradition more or less stuck.
The color choices assigned to Terry and Mary were complimentary. Mary had a few differences in her uniform that made her stand apart. Her pants were not blue jeans but a darker purple with a large sheriff star on the side. She ditched the sneakers for boots and she wore a wide belt on her hips. It was a look that was a little more biker than brawler. It worked so well for her that it was considered as an acceptable alternate costume for Terry in the King of Fighters Maximum Impact game. The opposite was true and Mary could wear Terry's clothing and everything looked great. What was disappointing however was her alternate costume. Terry was given a "B" costume known as the Wild Wolf which was how he appeared in the Garou: Mark of the Wolves game. That version of Fatal Fury was set in the future where Terry was an older and more experienced fighter. He wore a large bomber jacket, boots and let his hair loose. Gone were the sneakers and over-the-top red, white and blue color scheme. Terry was given a look that was more like a biker. Sadly Blue Mary did not get the same Wild Wolf treatment. Instead she was presented in a white bikini with nonsensical jean chaps and a jean visor. Any modicum of respect the original designers meant for her went right out the window. It was unapologetic fan service that didn't fit the character, her origin or any previous appearance.
Blue Mary was a female fighter that defied convention. Her appearance was one thing, the moves she featured in game were something else. In the next blog we will take a closer look at the things that made Blue Mary memorable. As always if you enjoyed this blog and would like to sponsor me please visit my Patreon page and consider donating each month, even as little as $1 would help make better blogs and even podcasts!
SNK had established one of the most important rules in fighting game character designs before Capcom; the symmetry of female counterparts to be specific. It can be fair to say that I did not credit the studio enough for their contributions to the genre in earlier blogs. SNK was critical in the history of the genre and shaped not only their own legacy but influenced the creative decisions in rival studios. SNK developed many strong female character archetypes in every fighting game they produced. The women in these games varied in age, style and ability. Some were very young but capable, and some were closer in age and strength to the male stars of the game. The other studios developing fighting games for the Neo Geo were sometimes on board with the strong female characters but others had more sexual pandering designs in mind. Yuri was a cute character in the Art of Fighting, she was the kid sister of Ryo Sakazaki and not meant to be the main protagonist. It was a fighter in the Fatal Fury series that proved sex and strength could be found in equal measure. While developing this character the team at SNK looked at the elements that made the star of the series work. They then created a female counterpart with a similar look, down to the color schemes and nationality, but with completely different moves. In essence you could say that the studio was working on Karin Kanzuki years before Capcom or Masahiko Nakahira even thought about it. The name of this revolutionary character was Mary Ryan aka Blue Mary. She would become a counterpoint to Terry Bogard. She demonstrated that a fem fighter could be an important addition to the lineup and not just fan service.
Blue Mary debuted in Fatal Fury 3 - Wild Ambition in 1995. Remember that both she and Yuri were playable characters in a fighting game before years before Sakura or Karin. Mary had a complex back story that would be unveiled over the years. It made her more than just a pretty face. Her origin helped the designers know how to present her in the series, how to include her into the plot and even figure out what techniques she would be using. Mary was always presented as a fearless, completely independent woman. Yet there was a good bit of planning behind this. Her father was a Secret Service Agent as was Butch her boyfriend. Both had taught her some fighting moves as did her own grandfather. Butch and her father were both killed in the line of duty. She believed strongly in justice and became a detective, working on and off for the law. When she debuted in Fatal Fury game there was nothing to lead players into thinking she was in a relationship. The two holdovers from her earlier life were put in plain site and only revealed later on. She was sometimes accompanied by a dog to her matches. This was Antonio or Anton for short, he was a puppy when Mary and Butch adopted him. She also wore a bomber jacket to the the fights, this was a gift from Butch before he passed away. Blue Mary could sometimes be seen riding a motorcycle. It was the obvious choice for a cool American character and a trait that was unique to her. In an early build of the King of Fighters '98 Blue Mary had the trifecta introduction, the motorcycle, her jacket, and Anton riding in the back with goggles on. I'm not sure why the intro was dropped in the final build. Maybe it was too masculine for Japanese tastes?
Blue Mary was as far from the dainty-fighter archetype as one could get. She was not the damsel in distress and she was certainly not the prize for any male lead. This character had a lot in common with the first female Street Fighter legend. Chun-Li's father was assassinated by Balrog (Claw), one of the generals of Shadowlaw (Shadaloo). She joined the police academy to obtain justice and eventually worked her way up to ICPO officer. She was a no-nonsense character behind the badge, especially while wearing her plain clothes uniform. What made her unique among the other female icons was that she could then switch her role and appear very feminine in the Street Fighter tournament. She wore nylons and a form-fitting, pseudo traditional dress. Blue Mary did not have this second layer of design. She was more like the female leads in other fighting games. The person that you saw in the pre-round animations and at the end of the game still looked the same.
The design and presentation of Blue Mary was deliberate. She was the cool cop, the rogue that didn't necessarily take orders, a trope created in Western films and shows like Lethal Weapon and Miami Vice. She was a hard drinking, door kicking, motorcycle riding, crime busting bad ass. You could almost imagine the character starring in her own crime action series. Chun-Li was much more reserved. Her time in the academy made her a student of the criminal mind. She began looking at the big picture instead of focusing on stopping individual crimes as she matured through the events of Street Fighter Zero and Street Fighter II. She knew that avenging the death of her father was only one piece of a bigger puzzle. The crimes, drugs, arms flooding the streets in Asia were being controlled by a central kingpin. It was revealed that General Vega had ordered the hit on her father. She would figure out that it was Shadowlaw trying to destabilize several countries in the south. She was instrumental in revealing this conspiracy and helping international forces take down their base of operations. She became a decorated officer in the process. Blue Mary on the other hand wasn't looking for accolades. She wanted to do her job and keep scum off the streets, even if it meant taking down a powerful kingpin in hand-to-hand combat. She was fearless, if slightly foolish, in that regard.
The physical appearance of Blue Mary was molded very closely on Terry Bogard the breakout star of the Fatal Fury series. The Japanese designers didn't really have a point of reference for white American martial arts stars. There were a few notable fighters in the '60s, '70s and '80s that did travel to Japan and abroad. Chuck Norris, Joe Lewis and Bill "Superfoot" Wallace were some of the high-profile white martial artists that made a name for themselves. They appeared on the popular ABC Wide World of Sports broadcasts and on the covers of Black Belt magazine. They were inspiring millions of white Americans to pursue the fighting arts while Bruce Lee and Jim Kelly were opening the eyes of minorities. Yet none of the men were big enough to have their own comic book or cartoon series in Japan, like Mas Oyama and Yoshiji Soeno. To be fair Chuck Norris did have his own cartoon and toy line in the USA in the '80s and Lee had his own comic book series as well. To the mainstream Japanese and many of the artists working at both SNK and Capcom they simply didn't know what made white America unique. They had a few fashion cues from our music videos, television shows and action films. This was what they used when creating Terry Bogard, and for that matter many of the other western characters in Capcom games as well. Stop and think about it for a second, if you were born in the USA and had a reputation for fighting would you wear jeans, a bright red jacket with a star on the back and a trucker cap? Maybe you would wear something more subdued, something that didn't attract too much attention especially from gangs or even the cops. Of course the developers in Japan assumed that their customers needed to see that trope, that stereotype in order to identify the cast. The American needed primary colors that were red, white and blue.
The designers at SNK didn't have to try very hard when creating their new cool female character. They changed some of the colors and dropped the cap but Blue Mary had a signature style that was very much reminiscent of Terry's, The physical similarities didn't end there. Both were blonde, it reinforced the idea that white people were mostly of English descent. Think about how many white characters, especially the early ones in fighting games were blonde. Ken and Joe in the original Street Fighter, Cody in Final Fight, the wrestler in Street Smart, Guile in Street Fighter II, Galford in Samurai Spirits, Ray in Fighter's History, Paul Phoenix in Tekken, Jacky Bryant in Virtua Fighter… the list goes on. It was a bit of racial pandering on the part of the developers. They assumed that most players in the West would want to try a character from their homeland before they tried an Asian character. It was logical thinking. What they often missed were the details that made the characters really "American" or "English" or "French." But I digress. That was only part of the reason why the characters were blonde. The primary colors that were assigned to the costumes needed balance. Most of the Japanese characters practiced karate and their gi was typically white. That costume contrasted well with black hair. They couldn't assign white costumes to the white characters with blonde hair, there wasn't enough contrast. So solid colors like red, green and blue were given to these fighters instead. Blonde hair worked well with those colors and the tradition more or less stuck.
The color choices assigned to Terry and Mary were complimentary. Mary had a few differences in her uniform that made her stand apart. Her pants were not blue jeans but a darker purple with a large sheriff star on the side. She ditched the sneakers for boots and she wore a wide belt on her hips. It was a look that was a little more biker than brawler. It worked so well for her that it was considered as an acceptable alternate costume for Terry in the King of Fighters Maximum Impact game. The opposite was true and Mary could wear Terry's clothing and everything looked great. What was disappointing however was her alternate costume. Terry was given a "B" costume known as the Wild Wolf which was how he appeared in the Garou: Mark of the Wolves game. That version of Fatal Fury was set in the future where Terry was an older and more experienced fighter. He wore a large bomber jacket, boots and let his hair loose. Gone were the sneakers and over-the-top red, white and blue color scheme. Terry was given a look that was more like a biker. Sadly Blue Mary did not get the same Wild Wolf treatment. Instead she was presented in a white bikini with nonsensical jean chaps and a jean visor. Any modicum of respect the original designers meant for her went right out the window. It was unapologetic fan service that didn't fit the character, her origin or any previous appearance.
Blue Mary was a female fighter that defied convention. Her appearance was one thing, the moves she featured in game were something else. In the next blog we will take a closer look at the things that made Blue Mary memorable. As always if you enjoyed this blog and would like to sponsor me please visit my Patreon page and consider donating each month, even as little as $1 would help make better blogs and even podcasts!
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