A look at Lili, the new native Mexican fighter in Street Fighter 6

We're going to look at Lili today. The new fighter from Mexico is fairly straightforward. I'd say a safe design even. Previously I mentioned how El Fuerte was a great character in the early stages of his planning, but the more Yoshinori Ono insisted they focus on his personality through cooking, instead of lucha libre, the worse the character got. The same thing could be said of Hakan, and his focus on oil, or Birdie, and his focus on eating. The crown jewel of great character designs thrown out for the sake of comedy was when King Cobra becoming Rufus. But I digress...

I’m fairly certain that most long-time Street Fighter fans were convinced that Lili, the new native character would turn out to be Noembelu, the Mexican “Doll” agent from Shadowlaw. The dark skin, braids, and feathered headband were spot-on matches. Not to mention that audiences were familiar with Noembelu. She was seen in previous in-game cut scenes, as well as in the comic books. The character fought with dual axes, and this new girl in SF6 fought with dual clubs. Perhaps she was deprogrammed by the government, and returned to her tribe? Something similar happened with Cammy after all. While they could take the agents away from Shadowlaw, they never could take away their ability to fight. When I first saw the new character, I did not think she was a Doll agent. The reason why was because the Street Fighter 6 Director: Takayuki Nakayama, and Producer: Kazuhiro Tsuchiya said they wanted to push the series forward. They would not be trying to tell yet another story related to SFII. Those were things already done to death in SFIV, and SFV. Also because this new character was young, if it were Noembelu she would have been older, based on the current timeline.

Lili is not the first Mexican character in the series. Let alone the first Mexican fighter across the genre. The studio gave us the gigantic T. Hawk in Super Street Fighter II in 1993. At that time Capcom was in the planning stages of Street Fighter III. The native Mexican was supposed to be the new "Zangief" for the game. He was included along with Cammy, Dee Jay, and Fei Long into the franchise in the form of an upgrade instead of a proper sequel. The other Mexican, or at least character from the peninsula, was Necalli. The wild-haired brute from SFV was an ancient warrior that stole the power from other fighters, and sometimes ate them in the process. Of all the fighters in the series he was possibly the strangest addition. Even fire-breathing Indian mystics made out of rubber were sensible by comparison.

Fighters like T. Hawk, El Fuerte, and Necalli were based on surface level knowledge of Mexico, and Mexican traditions. In pop culture Mexico is often used as set dressing. Piñatas, tequila, Dia de los Muertos, papel picado, fireworks, and masked wrestlers are things incorporated into many fighting games. The architecture, and traditions of small towns are often the centerpiece in stage backgrounds. Mexico is rarely presented as having any modern cities in videogames, even though the capital of Mexico City is a metropolis with one of the biggest populations in the world. The same surface level was applied to the design of characters. A masked wrestler is 90% of how Mexicans are presented in games. With the remaining 5% being guys with big mustaches wearing sombreros, and 5% being professional boxers. T. Hawk, was a native who wore jeans, moccasins, and a feathered headband. A "safe" choice for the series, but a little uninspired. Lili seems to be cut from the same cloth.

Lili has many of the elements of classic SF designs, but also falls into similar stereotypical traps. Green is her main color, with white, and red accents. I hope that the people reading this realize that she is literally wearing the colors of the Mexican flag. On top of her face paint, and native headdress she is fighting with a club. The cuauhololli, was a club used in Mesoamerica. Here’s the thing that you want to avoid if you are a character designer. It’s something that doesn’t just happen to the people at Capcom, but at other game, and animation studios the world over. Lili, T. Hawk, and other native-styled characters are usually a mix of different regions. They may be wearing clothing from desert, jungle, or mountain environments at the same time. This includes face paint, tattoos, or markings from different tribes, cultures, and even historical periods. Lili’s outfit Inspired in part by Mayan fashion, which is more Central American, than Mexican. The Aztec, and Mayan cultures did not exist at the same time, nor in the same part of Mexico. Many character artists don’t necessarily know this, but lack of knowledge is not an excuse for coloring all natives with one brush. There were hundreds, if not thousands of unique indigenous tribes in North, Central, and South America. Lili is an okay design, much better than the joke characters featured in SF IV, or the cannibal featured in SFV.

When I first saw Lili I didn’t think she was Noembelu, instead I thought she was an older version of a character featured in Super Street Fighter II X Gaiden. The anthology from Gamest comics was created by Masami “Mami” Itoh. It was one of the best series filling in the events of Super SFII. In one chapter we see T. Hawk, and the few remaining members of his tribe on a reservation. A tiny girl named Loma is introduced. She calls T. Hawk uncle and wants to make flowers bloom in the dry valley. She was an adorable design, with a simple native dress, and large expressive eyes. I thought that it would be great if this little girl had grown up to be a fighter like her uncle. It wouldn’t be the first time that a manga artist had created a character that appeared later in the SF series. Masahiko Nakahira invented Karin Kanzuki, the rival for Sakura in the pages of Sakura Ganbare!. Perhaps SF6 Designer Yusuke Hashimoto might be able to retcon her into the story. There’s still time. What I’m getting at is that the design had been seen before. It was a bit safe, but I understand too that Lili could have been a lot worse.

I’m not mad that she fights with a weapon. It makes sense if characters her size need the help of a weapon. Lili wouldn’t stand a chance against someone as massive as Zangief, but a stone, and hardwood club would be a great equalizer. In addition to that there have been several fighters that used weapons in the series. This goes all the way back to Eagle in the original Street Fighter. He fought with two clubs. The military leader Rolento appeared in both Final Fight, and Street Fighter Zero. He fought with a staff, as did Falke from Street Fighter V. I’m eager to see what moves, and special attacks are assigned to Lili. I’m hoping that her alternate costumes are more grounded in reality, like Luke, or Kimberly. I think it’s okay to move away from native pandering for Mexican characters. What about you? What do you think of this character, and her inclusion? Do you like the leaked designs so far? Is there anyone you’d like me to write up next? Please tell me in the comments section. If you would like to sponsor me please visit my Patreon page and consider donating each month, even as little as $1 would help make better blogs and even podcasts!

30 years of Street Fighter: 30 years of Characters #15

If you plan on going into battle make sure you are ready for war. Today we celebrate Rolento; the Mad Gear boss that is actually a mercenary and one of the most wily Street Fighters that you will ever come across. Rolento is easily one of the most memorable characters in the universe for reasons you might not be aware of. I had previously mentioned how military design works in fighting games. With the introduction of the character Falke in Street Fighter V I spoke a little bit about other military-inspired designs in fighting games. The Ikari Warriors; Ralf and Clark. Leona, Whip and Heidern all had military cues. Heidern specifically had something in common with Rolento. Both characters were a call out to a villain from Hokuto No Ken / Fist of the North Star. A deranged mercenary known as the Colonel was terrorizing post-apocalypse survivors. He had a beret and wore an eye patch. He moved stealthily, leaving a trail of shadows behind him, he was also a master of hand-to-hand combat. There were other military characters in the series like Sargent Mad but the Colonel seemed to leave a lasting impression on the designers at Capcom and SNK.

Rolento made his debut in Final Fight. He was the top ranking Mad Gear boss, second only to the founder Belger. Rolento fought with a staff and moved very quickly all over the screen. He would leave a blur of shadows in his wake, just like the Colonel, before dropping a dozen grenades on his opponents. This made for a difficult fight when compared to the previous bosses. He turned up again in Final Fight 2 and the fighting game Final Fight Revenge. His unique library of moves carried over into Street Fighter Zero / Alpha 2, when Rolento officially entered the Street Fighter tournament. Rolento was possibly the most proficient character in the universe with a weapon. Whether it was a knife, staff, tripwire or grenade, he could use them all with deadly precision.

It was Rolento's mentality that made him stand out in the universe. He approached every fight with a win-at-all-costs attitude, even when battling young girls and pro wrestlers that weren't a threat to his rule. He was a fighter with lethal efficiency that made use of his weapons and environment. He could ambush his opponents with a wire and strangle them, the move was called Take No Prisoners. Fellow mercenaries and Mad Gear members El Gato (sometimes written as El Gado) and Holly Wood waited in the rafters with a hook and knife to help trap opponents. Rolento was the type of madman that worked well in the Street Fighter universe. That is why I'm happy to bring him up for this 30th anniversary series. I hope that someday in the future his rivalry with Doctrine Dark and Guile is reignited. As always if you enjoyed this blog and would like to sponsor me please visit my Patreon page and consider donating each month, even as little as $1 would help make better blogs and even podcasts!

The rise of Falke, or how military design works in fighting games...

The newest Street Fighter V character has just been announced. A former Shadowlaw / Shadaloo super soldier that goes by the name of Falke. She debuts on April 24, 2018 as part of Season 3. In this blog we're going to break down the character, her powers, inspiration and the military motif being used in the genre.

Falke has some very unique powers. As a former Shadowlaw soldier she was subject to experimentation and fight training. This gave her the ability to use "Psycho Power" the psychic energy that allows organization leader Vega / M. Bison / The Dictator to fly, teleport, and even shoot fireballs. Ed was also experimented on and uses his psycho energy to generate awesome punches and even psychic webs. Every major Shadowlaw character in the series uses psycho power a little bit differently. Falke actually channels her energy through a fighting staff which she nicknames Harmony. She can send projectiles of psycho energy through the air, as if they were bullets. She can also fill the staff with psycho energy and use it as a sword. This makes her game play style very unique in Street Fighter V. Her effective distance for strikes is increased over regular hand-to-hand fighters thanks to the staff and because of her psycho power she has the ability to shoot psychic projectiles at range.

Falke's fighting staff seems to be made in sections and out of a unique composite material. It seems to be metal and not really flexible. If you look at it closely you can see where the staff is screwed together. Also when an alternate costume is selected the staff changes shape slightly as well. It looks collapsible now, almost like a walking stick. Also this variation of the staff has a muzzle diffuser,  these are the small holes that would normally be seen on the tip of a rifle. Perhaps this acts as a blast diffuser, a feature on some firearms that helps focus the energy of a bullet forward instead of out to the sides. In the case of Harmony the diffuser could focus psycho energy in a specific direction. Little details like this help reinforce the overall military look that the designers at Capcom were going for.  

Of course the first thing that many people commented on when Falke was announced was how because she fought with a staff she seemed to be the new Rolento. Well let's talk a little bit about this. Using a staff or any other weapon in Street Fighter is not a new idea. In the original Street Fighter (1987) the ninja Geki had a claw and threw shuriken aka ninja stars. In England the fighter named Eagle used two fighting sticks. The name Falke is actually German for Falcon. I doubt she is related to Eagle because his name was a golf pun. The other fighter from the UK was named Birdie. But I digress... Maki from Final Fight 2, Street Figher Zero 3 fought with a tonfa. Ibuki from Street Fighter 3 (1997) also threw shuriken. Rolento returned in Street Fighter Zero 2 (1996) but he originally debuted in Final Fight (1989) as a boss for Mad Gear. He appeared a few more time in the series, always fighting with his staff and throwing grenades at opponents. These moves were adapted into Street Fighter. The first female to actually use a staff in the series was Nanase in Street Fighter EX 2 (1999). 

Nanase was the younger sister of Kairi and Hokuto, the two main characters in the story arc of the EX series. Nanase was being groomed to lead the Mizugami clan in the event that anything happened to her elder siblings. Of course in storytelling fashion they both disappeared and she was thrust into the spotlight. She had to track them down and prove her worth in the EX tournament. Because she was a kid it wouldn't have made sense for her to compete hand-to-hand against adults no matter how talented she was. This was why she was designed with a weapon in hand, a bo to be exact. It was a regular wooden bo, nothing special like Falke's staff. Nanase might have been half as big as Ryu but with the staff she had more range than he did and the ability to hit almost as hard. In the updated version of the EX story she is a little older, her memory of Hokuto is wiped but she remembers her fight training. Now going by the name Sanane, an anagram of Nanase. Falke did not move or fight like Nanase, or for that matter any other weapons-based character from the Street Fighter universe. 

Falke focused her psycho energy through Harmony. She didn't really thrust with it like Nanase, or spin it quickly as with Rolento. It was an extension of herself rather than a weapon. The precision with which she used it was done in a very militaristic fashion. She squared Harmony with her shoulder as if it were a rifle when firing bolts of psycho energy. Without it I don't know how effective of a fighter she would be or if she could even control her psycho power. Ed on the other hand knew how to box, trained by former champ M. Bison / Boxer. He could also use his psycho energy in hand-to-hand combat. In canon fighters like Rolento and Nanase would not be at a loss without their staff. They still had training to fall back on. I wouldn't guess the same thing could be said of Falke. Like Rolento however her design worked in the series because it kept up the military aesthetic. Shadowlaw was made up of mostly soldiers. Looking at the cut of Ed and Falke's uniform you could tell they were not soldiers but officers. Shadowlaw, or Ex-Shadowlaw operatives wore armor and what appeared to be leather. They were fit for operations in the northern hemisphere, especially Eurasia. Rolento was not a member of Shadowlaw but instead a contractor. As a mercenary he did a lot of travelling. He wore khaki's and no armor, his uniform was suited for the tropic or desert climates. The color, cut and fabric of a costume did a lot of storytelling. It was something that every studio could take advantage of.

If you are working on a fighting game and want audiences to recognize a character as a serious fighter what do you do? Do you give them a facial scar and tattoos? Do you give them a flat nose and huge muscles? Or do you begin with the most obvious clue to audiences? The easiest thing you can do is put them in a costume. Look at some of the game characters through history and see which were the easiest to identify as a fighter. Those in military, or military-inspired costumes stood out. The best part for designers was that a military uniform could be given to a man or woman. Thanks to history we associated military training with martial ability. This was why characters like Heidern, Leona and Whip stood out in the King of Fighters series. We didn't need to know if they studied a particular form of fighting we just knew that they could fight. If they were members of a special forces team, which they were, then they weren't just good they were lethal. The Ikari Warriors were notorious in game canon as being the most skilled mercenaries operating abroad. They were able to topple regimes, steal secrets or just lay waste to an entire battalion. The two most famous Ikari Warriors, Ralf and Clark, made their debut in 1986. This was a year before the original Street Fighter was released.

Some costumes, even military ones, can still be ambiguous. A person wearing a karate uniform might be a karateka, but they can also be a judo or jujitsu practitioner. That is why designers give them supporting details. Ken and Ryu for example had striking gloves so you could tell they were more likely karate fighters than judo grapplers. Ralf and Clark are obviously military fighters but what type? They don't wear stripes on their sleeves, or sleeves for that matter. We can tell that Rolento or Heidern are officers because of their full uniforms. Ralf and Clark are different, just look at their supporting details. They carry ammunition and explosives on their vest and belt. They look more like jungle mercenaries than servicemen. Based on their size we can tell that they are immensely strong. Since neither carries a weapon we can tell they are going to be strikers or grapplers in the King of Fighters. 

Something that was pointed out on Twitter this week was how somebody at Capcom has a certain fallback when designing alternate costumes. Specifically for blonde female characters. See if you can spot the costume detail they like to add. Aside from that Falke is an interesting addition to the Street Fighter lineup. She seems to be on par with Ed as far as introducing new game play mechanics and shifting the focus to a new generation of characters. Capcom has done a decent job of focusing on new female characters through Street Fighter IV and V. The focus on the story is particularly unique. Ed is the founder of Neo Shadowlaw, a group assembled of former or discarded Shadowlaw experiments. With Falke revealed as a new recruit audiences are eager to find out who the other characters shown in the story mode are. Also if this organization had anything to do with the Illuminati featured in Street Fighter III.

It seemed that Ed and Neo Shadowlaw would soon be confronting The Dictator and his Shadowlaw generals. This was a solid story push and something not entirely new to Street Fighter mythology. Many years ago in the manhua, or Chinese comics, of Street Fighter Zero there was a showdown between two factions fighting for control of Shadowlaw. We'll see how Falke and Ed figure into all of this. Of course the ramifications of any betrayals or sacrifices will ripple down to the rest of the universe.

So what do you think about Falke? Do you like her design? What do you think about her powers? Will you be playing as the character when she is released? Are you siding with Shadowlaw or Neo Shadowlaw in this update? I'd like to hear your take in the comments section. As always if you enjoyed this blog and would like to sponsor me please visit my Patreon page and consider donating each month, even as little as $1 would help make better blogs and even podcasts!

Representation Matters! Or, what happened to Birdie, part 7...

 

After Street Fighter II was released the extra people brought aboard to help with character designs went back to their respective projects. This meant that that the Turbo and Hyper upgrades were put in by the smaller original designers. The upgrades were based on arcade feedback as well as what illegally hacked boards had done to the speed and combo abilities of the game engine. Development on Street Fighter III was stopped so that the studio could release one final upgrade kit, Super would introduce 4 new characters and a new boss villain, Gouki, into the universe. The characters in this upgrade felt incomplete, Cammy, T. Hawk and Gouki were furthest along in development but Fei Long and Dee Jay looked and played like rushed characters. It stood to reason because there were not the same eyes on the project as there was in the editing process for the earlier World Warriors.

 

In fact not long after the release of Super Street Fighter II, producer Akira Nishitanti took about half the team that worked at Capcom and left to start up ARIKA studios. Even if Capcom wanted to bring everyone back together it would be almost impossible. Work on Street Fighter III was halted because of the shake up. The studio took inventory of who was left and was challenged to see how they could keep the Street Fighter series going. There was no reason to lose faith in those that remained. After all the sequel did very well after the original Street Fighter planner Takashi Nishiyami left to join rival studio SNK. The new designers Noritaka Funamizu, Haruo Murata and Hideaki Itsuno as well as the art team came up with a brilliant plan. Instead of making a sequel they would instead create a game that tied together the events of the first and second games. Not only that but it would also bring together heroes and villains from Final Fight to show that they were indeed part of the same continuity. By doing this they would not hurt the expectation of audiences. Those that wanted a "true" sequel would have to wait. Street Fighter Zero / Alpha was instead a celebration of the genre that Capcom had defined.

The plan worked better than expected. Audiences were falling over themselves at the radical new direction that the game had taken. The lead artist on the project, Bengus, created an entirely new aesthetic for the lineup. His design fell somewhere in between Japanese anime and Western comic book body types. His exaggerated proportions and strong but fluid lines would go on to influence artists on both sides of the Pacific. His fellow artists helped create memorable version of many iconic Capcom characters. They also took some creative chances with the handful of characters they introduced. The most important of which was the addition of new female characters.

 

The genius in the planning was that each of the characters found some balance. A girl version of Ryu was introduced. She lacked the strength and range of Ryu but it made sense because her journey was just beginning whereas Ryu had been fighting for years. Sakura became the darling of game players around the world. She was a very positive role model. She had youth and enthusiasm on her side but we could tell that within a few years this character would grow into a woman as powerful as Chun-Li. Vega the Dictator was a villain of the story but not necessarily the only one.

The Dictator was not a traditional martial arts master, he wore some sort of cartoonish military costume and not much was known about him. Little was revealed in the endings of Street Fighter II so audiences were left with many questions. The designers wanted to flesh out the character and get a little more into his origin. They had plenty of room to explore his mysterious powers and military conquests in the Zero series. Yet they did not want to give everything away. They still wanted to leave some things up to our imagination. The best way to do this was by giving him a counterpart with equally unique abilities. The team designed a female with a costume that slightly mirrored the Dictator's, just as Sakura had reflected Ryu's. Tripling the amount of playable female characters (a younger Chun-Li had returned as well) from Street Fighter II was a gamble and it payed off from a critical response as well as from an inclusive point of view.

 

Strong female characters of every age and background were rarely seen in fighting games. Most studios relied on sex appeal to sell their women to audiences but not Capcom. They wanted players to know that these characters could fight every bit as hard as the men. It did not matter if they came from China, Japan, England or Italy. Think for a moment how powerful that message was to the female fans of the series. It was a loud statement that happened in 1991 and again in 1995. For the next two decades girls and women would dress as Chun-Li, Cammy and now Sakura and Rose as well. The strong female role models from comic books were no longer alone. Video games were contributing great role models to pop culture and that list would only grow.

Just about every choice that the team did seemed like a right one for the game as well as for the genre. It was hard to believe that it had been four years, and many upgrades since Street Fighter II had appeared. Street Fighter Zero was very different from a graphics, gameplay and control standpoint, yet at the same time it looked and felt like an old friend. Part of the greatness behind the designs had something to do with how far Capcom had called out to all of their own influences as well as the legacy they had been working on. People that had grown up watching the same movies, reading the same comics as the developers felt like they were in on the jokes. Even a small thing like a level background became something special to players.

   

Capcom played up this bit of nostalgia by bringing back old faces and giving them a fresh new look. It had been eight years since players saw Birdie so he was given a big makeover. The studio did this so that he would become as timeless as the main cast. this initial makeover was something that this entire blog series was started on. Birdie went from a forgettable tough guy in the first game to a fully-formed bruiser. He had dimension and a personality that complimented his wild attacks. There was nobody like him before and would be nobody like him after. Birdie was joined by a pair of characters that hadn't been seen in six years as well. To be fair they were seen on console games but not in arcades for that length of time. You might think that it would be impossible to balance out somebody as colorful as Birdie but the team found a perfect matchup.

Sodom was a leader in the Mad Gear Gang. He was an underground wrestling legend that had an undefeated streak, thanks in part to his use of two samurai swords Musashi and Muramasa. Sodom was obsessed with Japanese culture and fashioned himself samurai armor which was made mostly from football gear. He was more over-the-top than any other Mad Gear gang member. He was given an assortment of moves that was every bit as unorthodox as those given to Birdie. To help tone down his range the team took away his swords and he was given a pair of jitte, an ancient Edo weapon. It still made dangerous but players had to get close to opponents in order to use them. Seeing the two classic bruisers return was like a dream come true for fans of the earlier games.

 

The Mad Gear gang was the precursor to Shadowlaw. They were not solely a gang that ran the streets of Metro City but actually a network of criminals and terrorists the world over. A group that large got their orders from a business tycoon named Belger. However he had his trusted gang leaders, that acted like generals, to help carry out his plans. Sodom was a lower-ranking leader but his right hand man was a mercenary named Rolento. The military specialist was a superb hand-to-hand fighter. His design was actually based on the Colonel a character from Hokuto No Ken. I'm telling you that Capcom wouldn't have made as many memorable characters if not for Tetsuo Hara! Anyhow Rolento was blindingly fast. He could take on Haggar, Guy and Cody in Final Fight all by himself. He fought with an assortment of throwing knives and even grenades. Players knew he was not somebody that would be trifled with.

Having a few villains from Final Fight was a great idea and Capcom balanced them out by including the heroic Guy. The military presence was also balanced out by a new hero. In addition to Rose and Sakura the team added a third figure designed to remind audiences of the original World Warriors. In this case it would be Charlie Nash, the best friend of Guile. The character fought similarly to Guile with a few unique touches. He was put in the game to help fill in the backstory of Guile. Nash had tracked down the Dictator through the fighting tournament but he was found out and shot by Shadowlaw soldiers before he could take the Dictator in. He thrown over a cliff next to a waterfall and presumed dead. Guile swore revenge and ended up in the fighting tournament during the events of Street Fighter II.

   

Filling out the continuity of the Capcom universe went over very well with audiences. It was great to see how all of these characters were interconnected but even greater to see the diversity of fighting styles. The game engine was perfectly suited to different types of gamers. Those that preferred fast-action combos had characters that could do that. Those that preferred power moves instead had those characters as well. There were even a few in the middle that had a unique mix of brawling and technique. It would be the elements of Street Fighter Zero that would be most repeated in Street Fighter IV and now V. Those games wanted to bring back as many characters as they could to please the requests of fans. However in doing so they missed the little things. How Ken, Chun-Li and Ryu looked younger in Zero. How they had matured in Street Fighter II and III. In IV they stayed mature but Sakura and Cammy had unexpectedly returned. Only it was a young Sakura from Zero and the older Cammy from Street Fighter II. These could be seen as minor issues but they could also be seen as how the teams working on the newer Street Fighter IV were not working as diligently on new character types as the previous teams had. It showed that they were not being as mindful of their legacy as previous teams were either.

The last time the majority of the people that had worked on Street Fighter II worked together was during the mid '90s. Most of the team reunited during he development of Street Fighter EX. Their purpose was to create an entirely new set of World Warriors and put them in a 3D engine. They wouldn't necessarily have to be 1-to-1 copies of the earlier cast either. To which I say thank goodness too because it might have sparked another Anabebe mess. The new female characters, Pullum Purna and Blair Dame were distilled from the ideas that made Chun-Li unique. Pullum, an Arabian fighter represented the youthful aspects of the original China Daughter and Blair represented the toughness of the adult Chun-Li. The wrestler Darun was a mirror for Zangief, Doctrine Dark was a Rolento-style military counter to Guile, Ryu and Ken had Kairi and Allen Snider to respectively deal with. The characters found their own niche to carve out without necessarily copying the formula exactly. The circus performer Skullomania was by far the most colorful of the lineup. He was a sort of Dhalsim / Blanka level of absurd. But again all of these character types worked within the universe.

   

The Street Fighter games post Zero and EX had the weakest amount of character creation and diversity. It stood to reason considering that many of the original members had gone to DIMPS, ARIKA and even SNK by this time. By not having triple the amount of people working on the cast then a lot of voices, a lot of insight was lost. The next blog will look at how Street Fighter III and IV began to deviate from the lessons set by the earlier games. I hope to see you back for that. As always if you enjoyed this blog and would like to sponsor me please visit my Patreon page and consider donating each month, even as little as $1 would help make better blogs and even podcasts!