Skeletons, Disney, and Oswald break me out of my art block

Hello friends, I managed to get some more art pieces done in ink, and even illustrator. The going is slow, but I feel good after each piece in the sketchbook. I started with the reliable skeleton drawing, but this time switched it up to a surfer, instead of a skateboarder. I think it came our very well.

I shared a number of my illustrations on Reddit. I had never really used that site before, but decided to post my drawings there, as well as on DevianArt. I was surprised with how responsive the community was to my art. I dug up my old skate skeleton drawings there as well, and got a huge response. It was very affirming to hear the words of positivity. I had a few people reach out asking about a commussion or art trade, but I had to decline. I am very sporadic with my drawings. I can literally go years without touching my sketchbook. So I never want to commit to something unless I really am passionate about it. I did promise one Redditor a drawing from my sketchbook because he asked very kindly. The one doing an ollie over the slippery signs below is what I sent out. 

Skating skeletons were always a surefire way to get me to draw. I even found time to do one of the old Neversoft eyeball monster from the Tony Hawk video games. A lot of people were commenting on how great my art would be on a tee shirt. A few even said that I would make a sick tattoo artist. That was high praise, but I think I'm too old to start tattooing. With that said one person did reach out and ask if I could design a tattoo for him. I messaged that I never did commissions or requests. However the idea of designing a tattoo did catch my attention. The person asked for a skull and skate crossbones, similar to the old Four Star / Crailtap logo, but in the Vernon Courtlandt Johnson style. I said that sounded like a request right up my alley. I accepted the request and came up with this drawing. Do you think this would make for a good tattoo?

Then I got into a Disney rhythm, and did a drawing of one of my favorite classic characters. I love Horace Horsecollar. He is one of a handful of characters that I would give a team to in a Disney Sports Soccer reboot. I could just imagine him having different galloping animations each time he scores a goal in the game. I’d give a team to Oswald of course, or possibly have Oswald and Horace on the same team. I’d give a team to Ian the ghost from Epic Mickey. I’d also have Panchito Pistolas be a hidden character, and the hidden team would be the Three Caballeros. It would feature Donald Duck, Jose Carioca, and Panchito.

Once I was in the rhythm of drawing I was able to crank out two illustrations on back-to-back days. Three years ago I did a piece celebrating Oswald’s 98th birthday. Then I wanted to do one for his 99th, and 100th. The first cartoon that was finished featuring Oswald was “Poor Papa.” This was a lost cartoon that was rediscovered in 2016, and a special concert was put together to celebrate the discovery. I talked about it previously on this blog.

Unfortunately the cartoon wasn’t enjoyed by the Universal Studios Producers Mintz, and Winkler, so Walt Disney went back to the drawing board. The first cartoon that was actually released in theaters was Trolley Troubles in 1927. I did a version of that Oswald for the 99th Birthday. Then I wanted to do something special for his 100th birthday. I wanted to include three historically important rabbits to be celebrating with him. Bugs Bunny was the first choice. Bugs debuted in 1940. The second would be Roger Rabbit, whose film came out in 1988, but was based on a story from 1981. I was on the fence for who would be the third character. I didn’t think Rabbit from Winnie the Poo was big on celebrations. I thought Max from Sam & Max would be too chaotic. I wanted another classic character. Bre’er Rabbit from the 1946 film Song of the South was my choice. Unfortunately he was tied to a culturally insensitive film by Disney.

Just about any trace of the characters from Song of the South had been scrubbed from Disney history, these included the parks. I decided he should still be a part of the celebration. In my book these classic characters should always be remembered. I’m grateful that the global community never forgot Oswald. After a century he was finally getting the spotlight that had been taken from him. I’m certain Walt would be happy to know how beloved the character was. I’d like to know if you had a favorite character, and if you created any art to celebrate them. Tell me about it in the comments section. If you enjoy this blog there are several ways you can support me. You can sponsor me directly on Patreon. Or like and subscribe to my videos on YouTube. You can even subscribe to the Pink Monorail Podcast featuring my wife, and myself. 

 

Rad surf designs, or trying to emulate my cartoon heroes...

Earlier this year I talked about emulating my artistic heroes when I draw certain subjects. For example I said when I draw skateboarders I try and capture the skeleton imagery of Vernon Courtlandt Johnson (VCJ), the illustrator behind the Powell Peralta “Bones Brigade” art. When I draw basketball players I try and capture the energy and lanky proportions of the painter Kadir Nelson. Like many artists out there I have a ton of influences, and that is just the tip of the iceberg. When I draw cars I have many influences from the pages of CARtoons magazine. Steve Austin (not the wrestler) is an amazing cartoonist. It’s one thing to render a realistic car, but to make a caricature of it takes much more work. You have to capture the lines, and stance of each car. You have to make them easy to identify to the audience. 

Mr. Austin can do this with any vehicle, make, and model. His lines are clean, and the ability to draw each car from every angle is astounding. Steve, is an artist that follows closely in the steps of Ed “Big Daddy” Roth (RIP), Ed “Newt” Newton, and Dave “Big” Deal (RIP). These were artists who were able to create a career turning cars into works of art. In my honest opinion there are very few people that can create art at this level. Joe Borer is another such person. What separates his work from the previously aforementioned legends is that his cars are always in the middle of the action. They have weight, they have movement. The tires are glued to the road, at the same time the rubber is separating from the wheels. Even when his cars are standing still they look like they’re ready to peel off the page. 

 

Mr. Borer approaches his vehicle art in the same way an animator does characters. They have to be fluid, dynamic, and filled with personality. Joe is able to “stretch and squash” his cars with the ease of the best Disney cartoonists. For anyone not used to cartooning trying to make a car look flexible is very difficult. After a lifetime of drawing it’s something that I cannot do easily. That was the thing about the artists that I grew up studying. They made everything look so amazing. One of the most underrated artists in my book was Shawn Kerri. She was an impeccable cartoonist, but also an accomplished painter. She could render realistic scenes, as easily as she could caricature people. Sadly she died young, but not before producing some of the best CARtoons issues ever. 

 

In the action sports world there was only one other artist that I could compare to Ms. Kerri. His name is Damien Fulton. He is the artist behind the comic strip Radical Rick, as it appeared in the pages of BMX Plus magazine. Damien had very expressive cartoons, but whose BMX bikes, and races were rendered with a bit of realism. When he painted his characters, sometimes for the cover of the magazine, they were beautiful works of art. I would try my best to emulate Damien’s attention to detail when drawing BMX bikes. His poses, his understanding of the culture was super deep. Studying his panels made me a better artist. It helped me understand the history, and movements behind BMX. The same lessons went for every cartoonist I followed. 

Not all of the artists I enjoyed studying were as prolific as those in the pages of CARtoons magazine, or BMX Plus. Some of the art was seen sparingly, like VCJ’s designs for Powelll Peralta. Only when a new skateboard was released, perhaps a few a year, would I see a new rendering by VCJ. I poured over the designs in the skateboard magazines, as I couldn’t afford to actually buy the decks. Other art that inspired me was seen on soft goods, like tee shirts, hats, and the occasional sticker. Pop fashion for the early, and mid ‘80s was a mix of action sports culture. Surf, skate, and BMX all had a hand in influencing the look, and feel of the generation. Colors were bright, and some of the hottest labels had created their own mascots. Surf line Maui and Sons had a shark man mascot. Other brands like Airwalk, Rip Curl, Billabong, and Gotcha worked hard to create their own branding as well. 

Mascots on ‘80s clothing became very en vogue. It turned out that Disney, and Warner Bros. did not have a monopoly on the market. Arguably the king of the era was an artist named Steve Nazar. A company called Town & Country Surf Designs, out of Pearl City Hawaii was looking for an artist. In the early ’80s Steve showed them his original cartoon characters, many with a heavy surf vibe, and the rest as they say was history. Steve’s original characters, including Joe Cool, Thrilla Gorilla, the Kool Kats, and the tiki-headed Wave Warriors were instant hits. 

 

Nazar’s designs, went on the brightest shirts imaginable. These mascots were often seen in many humorous situations. Their shirts, stickers, and other goods were sold, and seen, seemingly everywhere in the decade. I don’t remember a time when I didn’t see the art in magazines, at school, the playground, or even at church through the ‘80s. This repetition of imagery in multiple shops made sure that the brand was becoming recognizable in every market. It was a win-win for the small company out of Hawaii, and the artist just trying to pay some bills. The characters were not only popular with the surf crowd, but with just about every demographic. Anybody could wear the shirts, and everybody knew who Thrilla Gorilla was. 

The mascots were so well known that LJN created a game for the Nintendo Entertainment System (NES). Think about that for a moment. The majority of early console games were either ports of an existing arcade game, or they were based on a sport. Licensed games came from comic book, or movie franchises. This title was based on the art from tee shirts. The game was well received by most audiences. It let players compete in both skateboard and surf competitions. The control took a little used to, but before long most were able to breeze through the courses, and perform some radical tricks. The game demonstrated that a solid idea, with great visual storytelling, could be enough to get a video game made. Although Steve Nazar didn’t program, or animate the game, his characters were as well received as the biggest mascots of the era, including the Mario Bros. and Mickey Mouse. T&C would end up getting a sequel, called Thrilla’s Surfari. This game was more of a platform adventure, where Thrilla had to fight angry natives, and giant weird monsters in order to save his girlfriend Barbi Bikini. He still surfed, and skated, just not in competition. 

 

Just as the characters had hit the big time the partnership between Mr. Nazar, and T&C would end less than amicably. The parent company in Hawaii decided to take their art in a different direction. Since they did not own the rights to the characters they went with other, more generic, surf looks. The characters were sadly without a home for 30 years. Many would ask T&C why they didn’t have a line of retro shirts, but they never wanted to revisit the era that really helped put them on the map. A few years ago Nazar decided to bring back all of his designs, and launch a small company called Thrilla Krew. He reprinted just about all of the classic characters on soft goods, and stickers. He was very careful to remove the trademark T&C yin-yang symbol from his new products. 

 

Which actually takes me to some designs that I have been working on over the end of the summer. Since the pandemic started I have been very busy, at work, and at home. My job has me working out of the house, and at the same time I have been taking care of a few family issues. I have had zero time, to write, record, or post any new blogs. As you can tell. I’d hit a creative road block, as the pandemic, and political climate were draining. I looked back at the artists, and movements that inspired me. I remembered Steve Austin, Joe Borer, and Shawn Kerri. I longed to see new art from Damien. But more than that I was missing the mascot characters from T&C Surf Designs. I was wondering what would it be like if they had a new video game. How would their levels work out? What new challenges could I come up with. 

 

As I was planning out a sequel to the game I began sketching out ideas for monsters attacking the characters out of the surf. That in turn inspired me to create tee shirt designs that were in the style of Mr. Nazar, and those early designs that I fell in love with. After several weeks of illustrating little bits at a time I finally completed these drawings. I may still do more in his style, featuring his characters, but for now I’m happy to bring you these cartoons. 

 

I want budding game designers, artists, and creatives to remember the power of storytelling. When people can see great art, including cartoon characters, and imagine a narrative then you're doing something right. If you're struggling with a piece, or are having some writers block just look at what your influences did. See how they made things work. Take it apart, and try to emulate it. You'll then have a better insight on how visual storytelling works.

Whether you’ve never heard of these characters, or whether they are like old friends I’d like to get your feedback. Is there an old video game that you wish had a remake? Would would you like to see if you were the producer. Or how about this if I were to design tees like these would you be interested in buying them? Would you like to see me take another crack at cartoon art? Are there long lost characters that you’d like to see get a come back? I’m interested in hearing from you! 

I do plan on recording more episodes, as the holiday season rolls up. I may have some time open up, which will allow me more creative breathing room. It would be much welcome, as this summer has been a pressure cooker. For now please enjoy these illustrations, and let me know what you think. 

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